Wednesday, 14 November 2012

Mood Board

Here is some of the ideas for our thriller opening! We wanted to have lots of dark shadows etc as we are doing a paranormal thriller. We used ideas from The woman in black, sinister, paranormal activity and insidious. Here are some pictures which shows are ideas.  We will use low key lighting and lots of close ups..
We decided to base our thriller opening on a guy named Carl Jung. Carl Gustav Jung was a Swiss psychologist and psychiatrist who founded analytical psychology. Jung proposed and developed the concepts of the extraverted and the introverted personality, archetypes, and the collective uncionsious . His work has been influential in psychiatry and in the study of religion, literature, and related fields.  In 1913 at the age of thirty-eight, Jung experienced a horrible "confrontation with the unconscious". He saw visions and heard voices. He worried at times that he was "menaced by a psychosis" or was "doing a schizophrenia." He decided that it was valuable experience, and in private, he induced hallucinations, or, in his words, "active imaginations." He recorded everything he felt in small journals. Jung began to transcribe his notes into a large, red leather-bound book, on which he worked intermittently for sixteen years. Jung left no posthumous instructions about the final disposition of what he called the "Red Book". The Red Book was a product of a technique developed by Jung which he termed active imagination. As Jung described it, he was visited by two figures, an old man and a young woman, who identified themselves as Elijah and Salome. They were accompanied by a large black snake. In time, the Elijah figure developed into a guiding spirit that Jung called Philemon . Salome was identified by Jung as an anima figure. The figures, according to Jung, "brought home to me the crucial insight that there are things in the psyche which I do not produce, but which produce themselves and have their own life."

Sunday, 7 October 2012

Lighting

Soft light/fill light:

  • Limited shadows
  • Very smooth
  • Silky look
  • High key
  • Glamour/Romance
Hard light/Key light:
  • Heavy
  • Dark shadows
  • Horror/intense/thriller

Analysis of Leon Opening


  • Extreme close up
  • Low key lighting - shadows
  • Shot -> Reverse -> Shot
  • Atmospheric music in background - Low note
  • 180 degree rule
  • Fade out to black
  • Fade in
  • Camera not static - Documentary realism

Thriller Opening Analysis.


The sixth sense:
  • ·         Close up shot is used on the light bulb  creates an atmosphere, makes the audience want to know what will happen and makes them on the edge of their seat as the room is dark apart from the bulb which gradually gets brighter.
  • ·         Lots of dark shadows and red lighting which creates a negative feel to the film.
  • ·         Scary music which creates a tense atmosphere
  • ·         Title sequence is long doesn't give anything away, makes the audience want to know what will happen
  •       Low key lighting


              Jaws:
  •       Camera is like we are the shark which creates an atmosphere, you don't know what is going to happen
  •     Music plays a vital part again, creates a tense music - everyone knows something bad is going to happen when the theme tune starts playing
  •      Low key lighting is used, one light which is a campfire
  •     Medium close ups at the campfire 

              Final Destination:
            
  •       Low key lighting is used
  •     Fast paced editing which creates an atmosphere, doesn't give you time to focus on anything
  •      Extreme close ups on props , doesn't give away the main character or the story line makes the audience want to know what is going to happen
  •     Dark shadows







Thursday, 13 September 2012

Match on action

Match on action is a very sinple but essential tenchique, where the perspective of the camera changes during a scene and the scene continues to flow.

An example of match on action:
http://www.youtube.com/watch?v=laUPi7MPOSQ&feature=player_embedded

Camera Angles



 Shot Types:
Extreme Long Shot (XLS)
- Traditionally used in exterior shooting
- Captures a large field of view
- Showing a large amount of environment within film space
- Shows location; often used as an establishing shot
- Also shows the time; day, night, winter, summer, past and present.
Very Long Shot(VLS)
Similar ro XLS but can also be used in interior when enough width and height.
- Object of interest more visible
- Establishing shot; character in an environment
- Shows where, when and bit more of who


 
Long Shot(LS)
- Full body is in shot, can see bottom of feet and top of head in frame
- Interior or exterior shooting
- Object of interest takes attention away from the surroundings, but still visible
- Shows where, when and who - gender, clothing, movements and facial expressions visible.
 
Medium Long Shot (MLS)
- Framing subject from the knee
- Object of interest is prominent, details in clothing, gender, facial expressions, props and accessories
- Showing more of who than where and when. But is still visable.

 


 

Medium Shot (MS)
- Framing object from the waist
- Object of interest is most prominent and see more detail - eyes and the direction they look, clothing, hair, facial expressions, body movement
- Restricts freedom of gesture. Don't break frame - body part touch or go out of frame

 

 
Medium Close-Up (MCU)
- Referred to as ' two button' as it frames subject from chest
- Commonly used when character is speaking, listening, or performing an action that doesn't require much body or head movement
- Audience watching face, surroundings hold little importance.
 
Close Up (CU)
- Referred to as 'head shot', as the framing may cut off at top of hair and at bottom of chin
- More intimate full face shot than MCU- showing subtle emotions across eyes, mouth and facial muscles
- Audience totally focused on face
 

 
Big Close Up (BCU)
- Face or object of interest occupies whole of frame
- Such an intimate shot puts the audience directly in the face of the subject - every detail of the face is highly visible
- Can show how characters feels, but be subtle and restrict movement
 
Extreme Close Up (XCU)
- Purely a detail shot - framing just one aspect- such an eye, mouth, ear; hand
- No point of reference to surrounding environment, audience has no context in which to place this body part
- Good shot to draw attention and show detail

 
High Angle
 Implies that the person is smaller, weaker; subserveint, diminutive, less powerful from position of camera. If the person was looking at the lens it would position the POV( point of view) as powerful over person in frame.
 
 
Neutral Angle/ Eye Level
Used to observe people, actions or events from the same height - positioning you within the film
 
Low Angle
Makes the person appear powerful, confident, more significant. If it used as POV, so if character in frame was looking at lens, it would appear the character of whos perspective we are looking from is weaker than person in frame
 

 
Shot -> Reverse -> Shot
 Often referred to as over the shoulder, shot- reverse- shot is used to amerce the audience withing the conversation, cutting betwee the two angles to create a feeling you are part of the conversation
Two Shot
 This shot captures two characters, usually in conversation and used with shot-reverse-shot to establish a relationship. This example is a medium shot, other shot types can be used for two shot to create different meanings
 
180 Degree Rule
This rule is a basic guideline for spatial relationship between two characters or subjects in frame. Simply, the two characters in a scene should always have the same left/right relationship to each other. If you break the 180 degree rule it disrupts the continuity and disorients the audience
Rule of thirds
 Its easy to remember and very simple to execute. Take your frame and divide it up into thirds both vertically and horizontally. This rule is used in photography and film to make sure your shot is balanced with the content in the foreground and background. If you imagine this grid when filming and place objects of interest across lines. e.g eye line of person
 
 
 
Camera Movements:
Track
Using a dolly the camera would track the movement of somebody or something of somebody or something by moving with them'it, it is tracking. Movement includes all directions.
 
Pan
This movement is static, the camera will be on a tripod and move left and right often to follow movement or show something significant
 
Tilt 
This movement is used to show the whole person for the more close up shots, so for example, pan from the feet to the face. The camera is static on a tripod